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Bill Evans George Russel Living Time (US, Columbia, KC 31490) <1972>
Bill Evans George Russel Living Time (US, Columbia, KC 31490) <1972> (SIDE 1) P AL-31490-2B (SIDE 2) P BL 31490-2D Recorded : May 12–14, 1972 in New York City George Russell – arranger, conductor Bill Evans – piano, Fender Rhodes piano Snooky Young, Ernie Royal, Richard Williams – trumpet, flugelhorn Stanton Davis – trumpet Howard Johnson – flugelhorn, tuba, bass clarinet John Clark – french horn Dave Bargeron – tuba Jimmy Giuffre – tenor saxophone, flute Joe Henderson - tenor saxophone Sam Rivers – tenor saxophone, flute, oboe Sam Brown – bass guitar, electric guitar Ted Saunders – electric piano, clavinet Webster Lewis – organ, electric piano Eddie Gómez – acoustic bass Ron Carter (on 5,7), Stanley Clarke (on 1,2,3), Herb Bushler (on 4,6,8) – Fender bass Tony Williams, Marty Morell – drums Marc Belair – percussion Edd Kolakowski - Steinway piano technician [Wikipedia] Living Time is an album by the Bill Evans George Russell Orchestra recorded in 1972 and released on the Columbia label, featuring performances by Evans with an orchestra conducted by Russell. https://www.youtube.com/watch?v=qzsGQPSds9E
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Brother Jack McDuff / Tobacco Road (US, Atlantic, 1472) <1967>
Brother Jack McDuff / Tobacco Road (US, Atlantic, 1472) <1967> Recorded at Chess Studios, Chicago, Illinois, August 22 & 23, 1966 Jack McDuff - organ, arranger Fred Berry, King Kolax - trumpet (tracks 1, 2, 5 & 7) John Watson - trombone (tracks 1, 2, 5 & 7) Red Holloway - tenor saxophone (tracks 1, 2, 5 & 7) Danny Turner - tenor saxophone, flute (tracks 3, 4, 6, 8 & 9) Lonnie Simmons - baritone saxophone (tracks 1, 2, 5 & 7) Bobby Christian - vibraphone, percussion (tracks 1, 2, 5 & 7) Roland Faulkner (tracks 1, 2, 5 & 7), Calvin Green (tracks 3, 4, 6, 8 & 9) - guitar Loyal J. Gresham - electric bass (tracks 1, 2, 5 & 7) Joe Dukes (tracks 3, 4, 6, 8 & 9), Bob Guthrie (tracks 1, 2, 5 & 7) - drums J. J. Jackson - arranger, conductor (tracks 1, 2, 5 & 7) https://www.youtube.com/watch?v=CSdoJ6C9K-g&list=PLfJndz0utgOO7rVqONX-1XWMEtLDzHj-2 https://www.youtube.com/watch?v=EbRCxr7MBU4&list=PLfJndz0utgOO7rVqONX-1XWMEtLDzHj-2&index=2
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Stan Getz & Bill Evans / Previously Unreleased Recordings (US, Verve Records, V6-8833) <1964>
Stan Getz & Bill Evans / Previously Unreleased Recordings (US, Verve Records, V6-8833) <1964> (Side 1) V68833-1 DSS (Side 2) V68833-2 RE-1 DSS Released 1973 Recorded May 5, 1964 (#4–6, 9–10 May 6, 1964 (#1–3, 7–8, 11) Studio Van Gelder Studio, Englewood Cliffs, New Jersey Stan Getz – tenor saxophone Bill Evans – piano Richard Davis – bass (tracks 4–6, 9 & 10) Ron Carter – bass (tracks 1–3, 7, 8 & 11) Elvin Jones – drums https://www.youtube.com/watch?v=pFVgnXJLg4M
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Bill Evans / The Bill Evans Album (US, Columbia, C 30855) <1971>
Bill Evans / The Bill Evans Album (US, Columbia, C 30855) <1971> Released ; End of August/early September 1971 Recorded ; May 11–12, 17, 19–20 and June 9, 1971 Studio : CBS 30th Street Studio, New York City Bill Evans – piano, Fender Rhodes Eddie Gómez – bass Marty Morell – drums Helen Keane – producer エヴァンスが作詞、編曲、演奏したすべての楽曲を収録した初めてのアルバム・・・とのことです。1972年のグラミー賞で最優秀ジャズ・インストゥルメンタル・ソロ賞と最優秀ジャズ・パフォーマンス・グループ賞を受賞しました。 高校生の時、"Waltz For Debby"の別録音を聞きたくて購入してがっかりした記憶が。。。 https://www.youtube.com/watch?v=8KaeIblAJLQ
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Art Farmer / Modern Art (US, United Artists Records, UAL 4007) <1958>
Art Farmer / Modern Art (US, United Artists Records, UAL 4007) <1958> (Side 1) JO9P-1841-1 A1 10-23-58 (Side 2) JO9P-1842-1 10-23-58 A1 Recorded September 10–11 & 14, 1958 Studio Nola's Penthouse, NYC Art Farmer – trumpet Benny Golson – tenor saxophone Bill Evans – piano Addison Farmer – bass Dave Bailey – drums Engineer – Tommy Nola Liner Notes – Nat Hentoff Photography By – Alex Singer Producer – Jack Lewis https://www.youtube.com/watch?v=aLgFTR1hWTc
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Benny Golson / Just Jazz ! (US, Audio Fidelity, AFLP 2150)
Benny Golson / Just Jazz ! (US, Audio Fidelity, AFLP 2150) (Side 1) AFLP 2150A (Side 2) AFLP 2150B Arranged By, Conductor – Benny Golson Trumpet – Freddy Hubbard Alto Saxophone – Eric Dolphy Tenor Saxophone – Wayne Shorter Trombone – Bill Hardman, Curtis Fuller, Grachen Moncur Piano – Bill Evans Bass – Ron Carter Drums – Charlie Persip, Jimmy Cobb (tracks: B5) https://www.youtube.com/watch?v=qWYoNjat2jA&t=556s
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Elvis Costello / Album Sampler (UK, Warner Bros. Records, 925848-1-A) <February 1989>
Elvis Costello / Album Sampler (UK, Warner Bros. Records, 925848-1-A) <February 1989> 両面マト同一 R/S Alsdorf 925848-1-A 両面ともアルバム"Spike"のA面が入ったサンプル盤です。 https://www.youtube.com/watch?v=pi_YQul7XXk
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David Blue / Stories (US, Asylum, SD 5052) <September 15, 1971>
David Blue / Stories (US, Asylum, SD 5052) <September 15, 1971> (SIDE ONE) ST-AS-712333-AAA-1 (SIDE TWO) ST-AS-712334-CCC-1 モディリアーニの作品のようなジャケの絵が最高、というだけで買ってみて内容までよくて後悔しなかった作品。 https://www.youtube.com/watch?v=37MYQwyg_1g A-1）Looking for a Friend 3:43 A-2）Sister Rose 3:55 A-3) Another One Like Me 3:19 A-4) House of Changing Faces 6:26 B-1) Marianne 4:39 B-2) Fire in the Morning 3:53 B-3) Come on John 3:42 B-4) The Blues (All Night Long) 6:26 John Barbata ; Drums David Blue ; Guitar, Piano, Vocals, Producer Ry Cooder ; Guitar, Slide Guitar Rita Coolidge ; Vocals Chris Ethridge ; Bass Milt Holland ; Percussion Anthony Hudson ; Art Direction, Design, Cover Art Pete Jolly ; Accordion Jim Karstein ; Drums Russ Kunkel ; Drums Jack Nitzsche ; Strings, String Arrangements Bob Rafkin ; Bass, Guitar, Producer Ralph Schuckett ; Keyboards Ralph Shuckett ; Organ
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Paul McCartney / Egypt Station (US, Capitol Records / MPL, B002873701) <September 7, 2018 >
Paul McCartney / Egypt Station (US, Capitol Records / MPL, B002873701) <September 7, 2018 > この作品、近年の作品の中ではかなり好きな方です・・・・。 https://www.youtube.com/watch?v=aef2eV7GmQw なんの変哲もないピアノ、メロディですが、でもやっぱり好きです。なにがいいのかなぁ。
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The Beach Boys / Sunflower (US, Reprise Records;Brother Records, RS 6382) <August 31, 1970> その②
The Beach Boys / Sunflower (US, Reprise Records;Brother Records, RS 6382) <August 31, 1970> その② (SIDE 1) RS-6382 31007-A-1A (SIDE 2) RS-6382 31008-B-1A 『サンフラワー』 (Sunflower) は、1970年にリリースされたザ・ビーチ・ボーイズのアルバム。リプリーズ移籍後初のアルバム。 本作は「ビルボード」誌チャート最高151位とセールス的には不振だったが、主要ソングライターのブライアン・ウィルソンやマイク・ラヴ以外のメンバーも、積極的に曲作りに参加して多彩な音楽性を示し、現在では彼らの1970年代の作品で最良の作品と見なされている。特に4曲を提供したデニス・ウィルソンと、ビーチ・ボーイズのメンバーとしては本作で初めてリード・ヴォーカルを披露したブルース・ジョンストンの躍進が著しい。 メンバーが実子たちと芝生上で戯れる表ジャケット写真は、クルーナー歌手ディーン・マーティンの息子リッキ・マーティンにより、ディーン所有のゴルフコースで撮影された。リッキは1977年にカール・ウィルソンのプロデュースにより唯一のアルバム『ビーチド (BEACHED)』を発表する。 【Wikipedia】 https://www.youtube.com/watch?v=RO_LX-m74uw
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The Millennium / Begin (US, promo, Columbia, CS 9663) その③
The Millennium / Begin (US, promo, Columbia, CS 9663) その③ (SIDE 1) XSM136542-1C (SIDE 2) XSM136543-1C 久しぶりに美盤を発見したので購入。価格は昔の倍に上がってきていますね。いずれ下がるんでしょうけど、、、 https://www.youtube.com/watch?v=8nuu86BHa7A&list=PLuX3i5mdbQK4BQkuSiXuEAtk6k0WRSMDa&index=14 なかなかアルバムが完成させられずお金がかかりすぎ、会社にお荷物扱いされ、会社に媚をうって書かれた曲とどこかで読んだ気がします。それも冗談だったのかもしれませんが。
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Joe Cocker / I Can Stand A Little Rain (A&M Records, SP-3633) その②
Joe Cocker / I Can Stand A Little Rain (A&M Records, SP-3633) その② (1) SP-3633-SP-3669-RE-1-M2 KENDON MR △19186(3) (2) SP-3633 SP-3670 RE-1 M1 KENDON MR △19186-X(7) In 1973, in the midst of uncertainty career-wise, Joe Cocker teamed up with Jim Price, a trumpet player turned producer, who had previously been member of Cocker's touring band. "Jim rekindled my interest," Cocker said in an interview for "Blank Space" in 1979. "Jim called and played me 'You Are So Beautiful', he just came round the house and said, 'What's wrong?' And he played me 'I Can Stand a Little Rain,' which turned out to be the title of the album. The two things that kind of re-fired me into work again, and consequently drove me insane in the process." I Can Stand a Little Rain found the singer working with top songwriters and session players, including Chuck Rainey, Cornell Dupree and Bernard Purdie, as well as future Toto founder members David Paich and Jeff Porcaro. Some of the writers, like Randy Newman and Jimmy Webb, ended up performing on Cocker's covers of their songs. The album is, however, particularly noticeable for the song "You Are So Beautiful", originally released on Billy Preston's The Kids & Me album. Ultimately, it went on to become one of Cocker's bigger hits, reaching No. 5 on the Billboard Hot 100, proving this album to eventually become a hit. The original idea was that of a double album but A&M did not approve of it. The rest of the songs recorded during the sessions were released in April 1975 on Cocker's next album Jamaica Say You Will, which was not equally successful. In 2013, "The Moon's a Harsh Mistress" was re-recorded by Jimmy Webb in a duet with Joe Cocker. It turned out to be Cocker's final recorded performance. [Wikipedia] https://www.youtube.com/watch?v=WvAr9umnZ54
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Rickie Lee Jones / Girl At Her Volcano (US, Warner Bros. Records, 1-23805) <June 1, 1983>
Rickie Lee Jones / Girl At Her Volcano (US, Warner Bros. Records, 1-23805) <June 1, 1983> (1) 1-23805-A-RE1-SH2 SLM △4319 (2) 1-23805-B RE2-SH2 SLM △4319-X After touring through much of 1982 following the release of Pirates, Rickie Lee Jones released the Girl at Her Volcano EP. It contains three live recordings, a few new studio ones and recordings left over from earlier studio sessions. "Hey, Bub" was the first song originally written by Jones for Pirates in September 1979. The live recording of "Something Cool" was not included on the original vinyl EP release, but on the Musicassette release of the same year and later on CD pressings. Earlier recordings of this song can be found on June Christy's 1954 album Something Cool, and Julie London's 1960 album Around Midnight (which features also "Lush Life"). Other cover versions on the EP include the Left Banke's "Walk Away Renée" (famously covered by the Four Tops), the Drifters' classic "Under the Boardwalk", the American songbook standard "My Funny Valentine" and the little-known Lani Hall original "So Long". [Wikipeia] https://www.youtube.com/watch?v=vvLd8FgDBMw
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Rickie Lee Jones / Pirates (US, Warner Bros. Records, BSK 3432) その②
Rickie Lee Jones / Pirates (US, Warner Bros. Records, BSK 3432) その② (1) BSK-1-3432 S1 + SLM+ △737 ANDREA DORIA B-15888-S1 + (2) BSK-2-3432 S2 ANDREA DORIA + SLM+ △737-X B-15889-S2+ "Pirates" is the second studio album by American singer-songwriter Rickie Lee Jones, released on July 15, 1981, by Warner Bros. Records. The follow-up to her 1979 self-titled debut album, Pirates is partially an account of her break-up with fellow musician Tom Waits after the success of her debut album. The cover is a 1976-copyrighted photo by Brassaï. The album peaked at No. 5 on the Billboard 200 and was certified Gold by the Recording Industry Association of America on September 30, 1981, for sales of 500,000 copies.The album remained on the UK album charts for three months, and was certified Silver by the British Phonographic Industry. [Wikipedia] https://www.youtube.com/watch?v=0pXxJhH3P2w
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Rickie Lee Jones / Rickie Lee Jones (US, Warner Bros. Records, BSK 3296) その②
Rickie Lee Jones / Rickie Lee Jones (US, Warner Bros. Records, BSK 3296) その② (1) #4 〇34620 BSK-1-3296 WM1 mo#2 (2) #3 〇34620 Mo#3 BSK-2-3296 WM1 Guitar – Buzzy Feiten, Fred Tackett, Rickie Lee Jones Mandolin – Fred Tackett Keyboards – Mac Rebennack, Neil Larsen, Ralph Grierson, Randy Kerber, Rickie Lee Jones, Victor Feldman Accordion – Nick DeCaro Bass – Red Callender, Willie Weeks Drums – Andy Newmark, Jeffrey Porcaro, Mark Stevens , Steve Gadd, Victor Feldman Horns – Chuck Findley, Ernie Watts, Tom Scott Backing Vocals – Arno Lucas, Joe Turano, Leslie Smith, Matthew Wiener, Michael McDonald, Rickie Lee Jones Jones had begun playing live in the Los Angeles area at the age of 21, and after meeting singer-songwriter Alfred Johnson, the pair began writing and performing live together (most notably at the Ala Carte club.) Two of their collaborations, "Weasel and the White Boys Cool" and "Company," would later be recorded for Jones' debut album. She also sang jazz standards, as well as a song penned by her father ("The Moon Is Made of Gold") in her live sets. Jones' performances around Los Angeles aroused interest from other local songwriters, as well as local record company executives. At a label showcase, Jones performed originals, including "Chuck E.'s in Love", "The Real Thing Is Back in Town" and "The Moon Is Made of Gold." This showcase performance, plus a demo containing "The Last Chance Texaco", "Easy Money", "Young Blood" and "After Hours" led to a record deal with Warner Bros. For her major label debut, Jones scrapped "The Real Thing Is Back in Town," but used the titular line in one of the album's tracks – "Coolsville." Recording sessions (which began in September 1978) yielded eleven songs for inclusion on an album. Two of the songs – "On Saturday Afternoons in 1963" and "After Hours" – were recorded live on December 22, 1978. [Wikipedia] https://www.youtube.com/watch?v=VBa0f2rztAE
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